Automobile Pollution Essay Example for Free

Automobile Pollution Essay Exponential growth in petrol and diesel fueled vehicles are responsible for deterioration of air quality in cities. Because of the increase in urbanization, industrialization and commercial activities in the urban areas, the demand for transport has also been increased. In addition to it the use of personal vehicles has also increase steadily. The various principle pollutants emit from vehicles are as follows- Carbon monoxide (CO) Suspended particulate matter (SPM) Oxides of nitrogen (NOx) Hydrocarbons (HC) Polynuclear aromatic hydrocarbons (PAHs). 2005 Air Toxic Emissions from On-road Mobile Sources (Tox-weighted) Affects of Automobile Pollution 1. In India about 15-20 million people are asthmatic because of emission of automobile pollution. 2. N02 is a highly toxic gas and attacks the lungs causing lung cancer and emphysema. 3. Automobile pollutants interferes the development and functioning of the nervous system. 4. Some diseases such as bronchitis, plurosis occur by long-term exposure to the particulate matter. 5. N02 reacts with hydrocarbons and creates photochemical smog. Reasons for Automobile Pollution The petrol driven vehicles emit invisible gases such as CO and Benzene while diesel driven vehicles emit mainly black smog containing minute carbon particles and S02. The main reasons for vehicular pollution problems are as follows- 1. Poor quality of fuel 2. Outdated vehicles 3. Congestion and mixed traffic of different types 4. Lack of proper traffic management Important Pre-requisites for Controlling Vehicular Pollution 1. Phasing out of grossly polluted vehicles 2. Enforcement of emission norms for new and in-use vehicles. 3. Improvement in automobile technology 4. Reduction of lead content in motor fuel 5. Stream lining traffic management 6. Improvement in public transport system 7. Fuel quality improvement and switch over to cleaner fuel 8. Restriction on indiscriminate growth of urban centers, industrial and commercial activities Alternative Fuels Hydrogen Gas: It can be used in modified combustion engines and is eco-friendly as it emits water vapours only. Electric Vehicles: They are advantageous over conventional fueled vehicles as far as environment is concerned. Ethanol: It can be used in regular automobiles after blending with petrol. It is rather clean fuel with low nitrogen oxide and hydrocarbons emission and no net C02 emission. Methanol: It is a liquid fuel and is produce from coal, natural gas and biomass. ft emits very little NOx and HC. Natural gas: It exists in the gaseous state at normal temperature and pressure and is found in the form of CNG and LPG. It causes substantially lower pollution without affecting the performance of the vehicles.

Originality in Postmodern Art

Originality in Postmodern Art A number of postmodern theorists and artists have questioned whether there is such thing as originality in art. Discuss this issue with reference to examples of the work of one or more recent artists who have questioned the notion of originality in their work. Postmodernism rejects the modern idea of originality as the new, and substitutes it with a combination of elements from the past. One of the main characteristics of Postmodernism was its tearing down of borders between styles and various cultural elements and the advance towards seeking something new and original was discarded and substituted with an amalgamation of elements from past and existing cultures. (Perina 2006) Postmodernism distances the subject, to declare the death of individualism. It leads to the reprocessing of objects and images from the past to create a more real and personal experience. There is too much information for us to process and make sense of and we are trapped in a world of second-hand experiences, dependent upon media representation of the world rather than our first-hand experience.(Crouch 1999) Originality as observed by contemporary artists, borrows heavily from postmodernist discourse. This essay will look at the works of several postmodern artists who participate in a critique and deconstruction of the myth of traditional originality whilst simultaneously seeking new ways to take their art in new and unexpected directions. It further inquires into the views of well known art writers and critics who acknowledge the way in which the placement of an artwork in a different context, or the re-working of an original image or images from the past can bestow it an entire new understanding, therefore granting an element of originality. Sherrie Levine, Andy Warhol and their many followers questioned and re-positioned issues around authorship and the original in artistic practice. This legacy is important to explore as the appropriated image and the pastiched image is so central in todays art and commercial practice especially since the growth of digital imaging. (Hammerstingl 1998 ) Sherrie Levine (b. 1947) is a primary example of a postmodern artist who confronts the issues surrounding postmodernist appropriation. Her critique of authorship and aura are central to Sherrie Levines audacious and influential deconstruction of the modernist myths of originality in many of her re-appropriations of eminent works by male artists. (Delacour 2009) Since the early 1980s, Levine has made a career out of re-using or appropriating renowned works of art, often by making new versions of them and placing them in different contexts. (Walker Art Center 2007) Her works have been understood as a commentary on the death of Modernism and its ideals, notions of artistic originality, the authenticity and autonomy of the art object and its status as a commodity. (Museum of Modern Art 2010) Levines Fountain (After Marcel Duchamp: A.P.) (1991), (Fig. 1) is an unmistakeable reference to Marcel Duchamps famous 1917 piece Fountain (Fig. 2). Cast in bronze to a highly polished finish, it transforms an everyday object into a beautiful and ostentatious piece which is presented on a narrow pedestal that closely resembles the display of Duchamps Fountain. Levine strove for total historical accuracy by locating a urinal from the identical manufacturer and year that Duchamp used, although she was unable to find the exact model. (Buskirk 2003) When compared to Duchamps sculpture, it is evident that Levines Fountain is not an exact replica. Most notably, Duchamps piece was an actual urinal which was turned upside-down and remained unchanged apart from his signature. In contrast, Levines urinal is more contemporary and has been cast in bronze, the traditional metal of sculptors. (Walker Art Center 2007) This use of bronze in such a way makes reference to another artist, Constantine Brancusi, who was notorious for producing sculptures in highly polished bronze (Buskirk 2003). When polished to a brilliant shine Levines urinal no longer remains a common, store-bought item. Instead it has been transformed by the artist into a unique object. (walkerart) Author and critic Martha Buskirk comments that despite the blatantly obvious reference to Duchamps readymade, Levines urinal has been transformed into a distinctive piece as a result of this choice to have it cast from highly polished bronze. (Buskirk 2003) Due to the recasting of the fountain in bronze, she raises the question of is the sculpture any longer a readymade? Due to the material characteristics of it being altered. By recasting the urinal, Levine challenges the function of the readymade as coming straight from the modes of production of society. Her object is no longer inextricably tied to its presence in everyday society. (Buskirk 2003) Buskirk states that in one sense, Levines Fountain is not a copy at all because she did not require the original Duchamp fountain to create a replica. Instead she attended the same source as Duchamp, which was the realm of mass production. Her piece triggers a history of references to past readymades and replicas of the everyday object. (Buskirk 2003) Sherrie Levines most blatant assault on originality came with her 1981 series After Walker Evans (Fig. 4), a series of twenty-two images which she directly photographed from an exhibition catalogue of famous photographer Walker Evans (b. 1903) work. (Fig. 3) Each one of these black and white photographs represents Depression-era documentation of either a figure, a group of figures, architecture or a barren landscape in a rural, economically-distressed area. (Mandiberg 2010) In writer and artist Linda Weintraubs essay Unoriginality, in Art on the Edge and Over (1996), Weintraub states that Levine makes no attempt to recompose or reinterpret, dismissing any creative or original act with the intention that the images remain true to their reproductive sources. (Weintraub 1996) These works articulate Levines fascination with the photographic process and its reproduction, while raising post-structuralist discourses on authorship, originality and history, from which they partly originate. (Museum of Modern Art 2010) Her appropriation of these fine art images deals with between photography, which is an unlimitedly reproducible medium, and fine art, which is regard as an inimitable object. Often art photographers limit the size of their editions to give their pieces the aura or a unique object. This aura is then diminished when the works are reproduced in magazines and books. Although the photographs Levine takes originate from the media, she restores them to the arena of fine art in her framing and presenting them as singular works which is where and how the original photographer, Walker Evans, aimed them to be seen. (Weintraub 1996) Linda Weintraub affirms that regardless of the association between the originals and her copies, Sherrie Levines photographs assume originality because they embody a new and possibly more profound artistic concept, which has never been so boldly explored. (Weintraub 1996) In the perceived wake of Modernism, the heroic potential of autonomous artists or autonomous works of art was challenged as artists such as Levine sought to demonstrate the importance of these ideas in the wake of the massive increase in social image consumption due to technological reproduction. (Mandiberg 2010) She writes, The world is filled to suffocating.ÂÂ   Man has placed his token on every stone.ÂÂ   Every word, every image, is leased and mortgaged.ÂÂ   We know that a picture is but a space in which a variety of images, none of them original, bend and clash. (Levine 1981) It is impossible to remove the art historical aspect to Sherrie Levines art. She works within the space of art historical discourse and dialogue, in attempts to add new perspectives on art by actually appropriating and reproducing them in novel ways. So much of the importance of her works derives from the fact that these works are recognizable within the general American public, but more importantly in the art historical canon. (Zimmerman 2008) (reword) It is perhaps Andy Warhols (b. 1928) use of photo silkscreens that offered the most rigorous challenge to traditional definitions of originality. Warhol explored intrinsic multiplicity in the repetitive use of screens in his silkscreen paintings that he began to produce in 1962. He produced a series of works containing ongoing repetition of an image within single works. Often his technique of blotting would result in the ink lines in his drawings appearing as though they were a personal touch. The method he used also lent itself to replicating deviations of the image via a process of repeated tracing that he would often get his assistants to accomplish. Warhol frequently employed his mother to replicate his signature for him. Consequently, Warhols fame as a fine artist rests on the manner in which he expunged any trace of his hand from his work and any evidence of what would be considered individuality. (Buskirk 2003) (need this?) This brief time in which Warhol began to develop his silkscreen paintings, was a phase in which Warhol was producing amazing output. It was during this time that he produced his infamous celebrity and name-brand product images. One of his most renowned examples is his Marilyn Diptych (1962) (Fig. 5) which was based on a publicity photograph from the 1953 film Niagra. The paintings of this time are excellent examples of multiple copies without an original. His method allowed for variations within the prints so that no two works were identical. Although Warhol employed assistants to produce works created by mechanical means to transfer images that he often didnt even select himself, his works are nonetheless recognised as Warhols due to his certain form of authorship. It can be argued that his original contribution included the regular removal of evident participation. (Buskirk 2003) One of Warhols most renowned works was Brillo Soap Pads Boxes (1964) (Fig. 6). To make his replicas he used wooden boxed and silkscreened over them to directly resemble the cartons that they were reproducing. This work is an example of one form of mechanical reproduction being employed to duplicate another form of printed surface, although the change of materials added a slight change to the more dramatic transformation that resulted from their recontextualisation. (Buskirk 2003) It could be argued that Brillo Soap Pads Boxes, and much of Andy Warhols work, is absent of any kind of originality due to its almost undistinguishable resemblance to the original product in which he had no participation in the creation of, however he makes a striking contribution via his insightful critique of the enticing nature of commodity in a culture driven by mass media. He achieves this through his use of repetition. The anonymous author who designed or photographed the products adopted by Warhol for use within his work becomes replaced by the artist who comments on the products cultural familiarity, an act of recontextualizing. (Buskirk 2003) In Warhols Flowers (1965) (Fig. 7), he appropriated an image of flowers that he found in a 1964 issue of Modern Photography magazine. When the photographer of the photo, Patricia Caufield discovered that Warhol had appropriated her image she filed a lawsuit against him for infringing on copyright as she was able to claim legal authorship. The case was settled out of court, with Warhol offering to give Caufield two of his Flower paintings. When analysed, it is evident that there exists several differences between Caufields image and Warhols appropriation. First of all he cropped the photograph so that it focussed on four flowers; the image has been flattened by the removal of detail and the adding of solid blocks of colour within the flowers. His changes in medium, scale and colour helped to transform the image considerably. (Buskirk 2003) Although the original photographs that Warhol sourced to base many of his artworks on were neither taken by or owned by him, his works become original by the manner in which he re-works them and exhibits them. It is very hard to confuse authorship as Warhol upholds a style that is distinctively his own. He takes ordinary images and through his alterations of them makes them extraordinary. (Buskirk 2003) In each of the cases presented, the artists have exercised an act of recontextualisation by taking a recognisable object or image and transforming it by altering how it is made or where it is found. Through this process each of the artists has achieved the act of both recognising and acknowledging the original author whilst claiming authorship for themselves via the process of this recontextualisation?. (Buskirk 2003) The diverse ways that artists have adopted and transformed these familiar images and objects furthermore articulate a complex layering of quotation and reference that exemplifies contemporary art. (Buskirk 2003) In addition, the artistic product desires a measure of creativity on the audiences part. The viewer contributes to the creation of works via their interpretations and evaluations of them. (Leddy 1994) French literary theorist and critic Roland Barthes attributes authorship to the reader who shapes meaning and understanding. Barthes created writings that directly suggested the idea of Death of the Author as a central post-modern concept. (Hammerstingl 1998) He states To give a text an Author and assign a single, corresponding interpretation to it is to impose a limit on that text. Roland Barthes asserts that each piece of writing or artwork contains multiple layers and meanings. In a well-known quotation, Barthes draws an analogy between text and textiles, declaring that a text is a tissue [or fabric] of quotations, drawn from innumerable centers of culture, rather than from one, individual experience. The essential meaning of a work depends on the impressions of the reader, rather th an the passions or tastes of the writer; a texts unity lies not in its origins, or its creator, but in its destination, or its audience. (New World Encyclopedia 2008) To summarise, Barthes attributes authorship to the reader who forms meaning and understanding. To reiterate, it is not the value and function that an object relies on to communicate with its audience, but its veiled references and codes from the past that permit a more individual perception. The originality and authenticity of the primary source ceases to be imperative in postmodernist art. Instead it is the recycled message which is constructed upon the unconscious memories and perceptions from the past that gives command to new perceptions and new perspectives of originality. The amalgamation of non-referring styles united together helps to create a new original, assembled from well identified originals of the past. Equally the postmodernist concept of deconstruction utilises the intercommunication amid the influence and continual process of referring. (Perina 2006)

Death as a Major Player in William Shakespeares Romeo and Juliet :: William Shakespeare Romeo and Juliet

Death as a Major Player Death plays a key role in Romeo and Juliet. During the story, six deaths occur that fashion Shakespeare’s publication into the calamity that’s known around the world. Each death pushes the story forward continuously, leading to the finale where the two lovers die due to love and hate from both feuding families. Mercutio, the joker and comic relief of the play, dies first and foremost. Tybalt spies Romeo at Lord Capulet’s extravaganza and vows to continue his fighting match by saying: â€Å"I will withdraw; but this intrusion shall, Now seeming sweet, convert to bitt’rest gall† (I, V, 93-95) Determined to duel with Romeo, in Act Three, Scene 1, he challenges the Montague but Romeo declines fighting with his brother-in-law, saying: â€Å"I do protest I never injured thee, But love thee better than thou canst devise† (III, 1,67-68), His statement means he doesn’t want to cause Tybalt any harm but would rather leave the scene. Mercutio steps in for Romeo, Romeo comes between them, and Tybalt’s sword stabs Mercutio when Romeo was holding Mercutio back. As Mercutio lays wounded and waiting for a surgeon, he blames Romeo for his injury saying, â€Å"Why the devil came you between us? I was hurt under your arm.† (III, I, 103-105) Soon following, Romeo learns that Mercutio is dead by Benvolio who says: â€Å"O Romeo, Romeo, brave Mercutio is dead! That gallant spirit haths aspired the clouds, Which too untimely here did scorn the earth.† (III, I, 118 – 120) Romeo, enraged at the killing of one of his dearest friends, challenges Tybalt to a fight for revenge, saying: â€Å"Now Tybalt, take the ‘villain’ back again That late thou gavest me; for Mercutio’s soul Is but a little way above our heads, Staying for thine to keep him company. Either thou or I, or both, must go with him.† (III, I, 127 – 131) Tybalt takes up the challenge and the Capulet falls to the ground, dead by Romeo’s sword. Benvolio tells everyone including the Prince what has happened later saying: â€Å"There lies the man, (Tybalt) slain by young Romeo, That slew thy kinsman, brave Mercutio.† (III, I, 146 – 147)   Ã‚  Ã‚  Ã‚  Ã‚  With Romeo banished and Juliet acting as if she was dead in the Capulet family tomb, Paris comes to her grave to mourn the loss of his fiancee. On the path of the family tomb, he spots a torch and puts his own out to listen the stranger, saying:

The Price of Perfection in Brave New World :: Brave New World Essays

The Price of Perfection in Brave New World Aldous Huxley's Brave New World presents a portrait of a society which is superficially a perfect world. At first inspection, it seems perfect in many ways: it is carefree, problem free and depression free. All aspects of the population are controlled: number, social class, and intellectual ability are all carefully regulated. Even history is controlled and rewritten to meet the needs of the party. Stability must be maintained at all costs. In the new world which Huxley creates, if there is even a hint of anger, the wonder drug Soma is prescribed to remedy the problem. A colleague, noticing your depression, would chime in with the chant, "one cubic centimetre of soma cures ten gloomy." This slogan is taught to everyone, from the youngest to the oldest. Unhappiness, intellectual curiosity, disagreement, suffering - none of these feelings is allowed in the world which Huxley creates. At the first sign of unhappiness, Soma is prescribed. Emotions of all types are strictly controlled to provide stability and predictability within the population. Another of the panaceas for social ills is the belief that everyone would enjoy his or her work because he or she was "made" or trained for it when young. Consequently, from birth, everyone in Brave New World is slotted to belong to a specific social and intellectual strata. In conjunction with this idea, all births are completely planned and monitored. There are different classes of people with different intelligence and different "career plans." The social order was divided into the most highly educated, the Alpha+, and then in descending intelligence, the following divisions: Alpha, Beta, Beta -, Gamma, Delta, and Epsilon, which is the last group comprised of those citizens of the lowest intelligence who are necessary to perform society's most menial jobs. Another of the problems with the society which Huxley depicts is that the people do not have individuality. They are all conditioned by subliminal messages and artificial stimuli to respond the same way. Although all people are meant to respond identically without thinking, a few are made 'imperfectly' and, as a result, do have personalities. These people violate the principles of technology and artificial personalities and consequently have to be sent away so as not to "contaminate" others. To maintain order in Brave New World, the Resident Controller must have complete authority over more than just the present; he must also have influence over the past. In order to be able to achieve this, he must be able to rewrite history. This gives rise to one of the

Respect for Persons,Beneficence, and Justice :: Research Researching Privacy Essays

Respect for Persons,Beneficence, and Justice In July of 1974 The National Research Act was signed into law. Through this act, The Belmont Report was developed over 4 year period of time that included an intense four day conference followed by monthly meetings until it was completed in April of 1979. The Belmont Report sets out to define the ethical principles and guidelines for the protection of human subjects of research. The report was established prior to Barney Clark and the artificial heart and therefore was the guidelines that the doctors and researchers had to follow. The report highlights three essential ethical elements that are pertinent in human research and their applications. It was the professional responsibility of the doctors and researchers involved to abide by previously established ethical guidelines. Respect for Persons Respect for the Persons as it relates to the Barney Clark case can be broken down into three important issues. Autonomy The doctors made the assumption that Barney Clark was a fully autonomous person at the time of the artificial heart experiment. In general it is not in doubt that Mr. Clark was an autonomous being, however his terminal condition could have affected his capacity with in the case. While he might have been autonomous in many areas of his life the issue that is relevant to the case was whether he possessed the capacity to make an informed consent. Informed Consent The nine basic rules4 for an informed consent are 1. Identifying the appropriate decision maker 2. Having the discussion at a time when the patient is not distracted or in great pain. 3. Determine that the patient is communicating voluntarily 4. Disclose a. Nature of the proposed intervention b. The purpose c. The risks and consequences d. The benefits e. The probability that the intervention would be successful f. The feasible alternatives g. The prognosis is the intervention/therapy is not given 5. Offer a recommendation 6.

Annual Report Summary

As a huge worldwide company. Coca-Cola uses colorful images, where youth with smiling face holding the company's product to show the positive energy it is sharing throughout the world to its investors, the descriptive and powerful wording in its paragraphs under each part of its report, where it provides detailed explanation about its performance in the preceding year to make its message more convincing and understandable for Investors, and lastly the company provides colorful graphic representation of its data to make it easier for an Impatient reader, who prefer to extract key message quickly.Coca-Cola Company illustrates its performance by the colorful and positive images to show the positive energy it is sharing throughout the world to its investors. The youth, with happy faces holding the company's products represent different nationalities showing that Coca-Cola performs worldwide and shares happiness throughout the world. As it stated on the second page of the report, the comp any's key strategy Is to be bonded with Its customers and share experiences related to their product and the images, the company uses, shows visual Image of Its strategy.The creativeness and positive mages are the best attention catcher, because most investors skim over the report and the colorful images would be a key tool to get attention of such investors. It also shows to investors how the company shares happiness with its customers. The images, where illustrated youth, shows that the company has a bright future. These all serves as a key to attract Investors, who always look for positives. However, the Images will not be enough for some investors and they may prefer to go over the report and in this case, the strong verbal techniques will come to play.Coca-Cola sees the descriptive and powerful wording in its paragraphs under each part of its report, where it provides detailed explanation about its performance in the preceding year, to make its message more convincing and under standable for investors. The company provides an information about its performance by using numerical data and simple, but powerful words. Its positive and friendly tone makes Its reader to think about the company positively and the evidences given In each part makes the information the company sharing reliable.The company chooses powerful words and always talks as â€Å"we†, which shows the strong connection between its people. The positive and detailed tone serves as driven tool for investors and most investors look for easy to read and convenient to use information. In addition, the most Investors work with numbers and they risk their money relying on those according to those numbers they can predict the future too. So, the numbers in addition to words serves as an evidence to compel the investors. The company achieves investors' satisfaction by this feature.Lastly, the company provides colorful graphic representation of its data to make it easy for impatient reader, who p refer to extract key messages quickly. In the â€Å"Operating Groups† section of the report, the many uses visual graphs and colorful maps with numbers to show important data about its operations. There is also the images of products with pie diagrams to present the selling performance of each product throughout the world. As a worldwide company, Coca-Cola gives detailed information by using data and graphs about its performance in 2012 in its international market.As we know, most investors do not want to read the report word by word. They prefer to understand and get needed information quickly, in one glance. The graphs, maps and diagrams, the company provides, serves as powerful tool on this. The investor can open needed section and see all data needed by observing graphs and diagrams. This strategy benefits Coca-Cola by catching the attention of impatient investors and drives their attention to the company. They can skim over the data and check the graphs and they will get the information they need in a quickest way.Coca-Cola uses colorful images, where youth with smiling face holding the company's product to show the positive energy it is sharing throughout the world to its investors, the descriptive and powerful wording in its paragraphs under each part of its report, where it provides detailed explanation about its performance in the preceding year to make its message more convincing and understandable for investors, and lastly the company provides colorful graphic representation of its data to make it easier for an impatient reader, who prefer to extract key message quickly.I think Coca-Cola uses the most significant and beneficial strategies to drive the investors' attention to the company. The colorful images, strong wording, and descriptive graphic representation of its performance in its Annual report for 2012 makes it interesting and entertaining for its reader.

Management planning of Arthur Andersen

Introduction The Arthur Andersen Company is an accounting firm that was founded in the year 1913 by Clarence Delaney and Arthur Andersen. It is an accountancy firm that deals in auditing, consulting and tax evaluation services. It is based in Illinois. About five years ago, the company was one of the most successful accounting firms with an employee base of about eighty five thousand. Presently, the firm has only two hundred employees under its name. Similarly, its revenue has fallen from 9.3 billion dollars in the year 2002 to very low amounts in 2007. In that fateful year 2002, the firm lost its accounting license as a result of fraudulent dealings. Consequently, the firm has lost its business, and is no longer in serious operation. It is a good example of a company that did not apply management skills in its operations. (Harold, 2003) Planning function of management in The Arthur Andersen Company Management within any organization is normally assigned four main roles, these include; leading, controlling, organization and planning. The planning function of management involves developing an organization’s mission and defining specific methods of accomplishing it. This encompasses a variety of ideas. Planning may be applied when starting a project or organization or it may be applied in the day to day running of the organization. The organization under review was already in existence so we shall examine its day to day planning functions. (Norbert, 1967) The first management planning issue that the company under review failed to analyze was financial planning. The company did not allocate its budget to projects that would generate long term income. It focused on short term gains like the WorldCom audit that preceded its bankruptcy. Financial planning involves monitoring the amount of money coming in and out of the organization and noting any fund misappropriation. This was clearly a duty that the Arthur Andersen Company failed since it lost a lot of finances. This aspect also involves planning salary packages, employee benefits, insurance and retirement packages. Before the great fall of the Andersen Company, this aspect was looked into. The employee base was quite large and complaints were quite rare. Another aspect of planning is policy formulation. This entails coming up with strategies that counter the effect of competitors. The Andersen Company played its part in good policy formulation during the 80’s and 90’s. It knew that IT consultancy was receiving a lot of attention; it therefore decided to focus on this sector and tripled its revenue. But in the years following 2000, the organization did not plan its policies well. It decided to focus on client’s wishes instead of establishing a reputation for being a straight forward firm. This policy planning should be put together with policy development and policy implementation. (Norbert, 1967) Thirdly, management involves human resource planning. This begins from recruitment of new employees when beginning the organization to hiring of new employees. This was well done by the Arthur Andersen Company at its inception because most of its employees were in line with the companies’ mission. In the mid twentieth century, the company founder frequently took his employees for training and ensured that they were in top notch condition. But this was later forgotten because the firm hired employees that were dishonest and untrustworthy. The company did not evaluate its employees to ensure that they were inline with its founding principles. It should be noted that the employees considered during planning encompass all the departments in an organization including managerial posts. The Andersen Company failed in this area because one of its senior representatives in the Legal Department Madam Nancy Temple clearly did not follow due procedures. She failed to withhold company principles. This could have been prevented if employee evaluation was done. Impact of legal issues, ethics and corporate responsibility on management planning. A code of ethics within an organization is a sure recipe to bring about returns on one’s investment. Contrary to what people believe; that ethics are quite theoretical, a recent research by the Ethics Resource Centre in Washington has shown that employees who feel that their management adheres to strict moral standards and codes of ethics, feel valued by their organization. Consequently, productivity will be increased by these employees and company profits will be improved. It was quite clear that the Arthur Andersen Company did not realize this hidden truth before the great Enron scandal that led to its downfall. The Company did not adhere to accounting code of ethics as it allowed numerous irregularities to continue within the Enron Company which it was auditing at that time. All the auditors were focusing on was whether their client’s share prices were increasing. They didn’t pay attention to how the income was being generated. Legalities are a key aspect to be considered during a company’s operations. Companies ought to strike deals that are acceptable within the law of the land. The repercussions from lawsuits are quite severe because they can cause irreparable damage to the company name thus preventing any further business. A case in point is when the Arthur Andersen Company audited the Enron Company is engaged in a deal which it knew was unethical but claimed not to know that it was unlawful. These legalities should have been considered before the firm proceeded with its activities. The consequence of these illegalities was loss of its license authorized by the Securities and Exchange Commission. Even though the decision of the commission was reversed in the year 2005, the company had an ill reputation and no company worth its salt would allow them to audit their firm. (Harold, 2003) Corporate social responsibility encompasses giving back to the community. It is a way of saying thank you to the people who have contributed to company growth. The Arthur Andersen Company did not involve this aspect in its management plans. In the late 90’s and twenty first century, the company began focusing on expanding its client’s base and maximizing profits. It did not realize that giving back to the community would increase its authenticity. This is because, the community would feel like they were partnering or cost sharing when investing in the Company’s stocks or doing business with it. Factors that influenced the company’s strategic, tactical, operational and contingency planning. Strategy can be defined as an action that facilitates realization of long term goals while planning is the coordination of resources within an organization. Therefore strategic planning is analysis of all the information available to come up with the best goals for an organization. One factor that influenced the Arthur Andersen Strategic planning was establishing a reputation in the accounting field. It wanted to be identified with good intentions and strong principles. This was viable during its inception by the founding member. Tactical planning involves putting the strategical plan into action. It usually involves the budgeting process, considering alternatives, studying the market and its competitors. In addition, reviews must be made and reports be made. One factor that influenced this aspect of the company was its revenue. The company wanted to make as much as it could. This meant that it could overlook ethical issues as long as a return on investment was plausible thus causing the company’s downfall. (Erica, 2006) Lastly, operational planning involves the day to day running of the company. This normally involves proper communication between management and its employees. One factor that influenced this aspect was output generated. The company did not adhere to good communication practices within its structure and instead focused on input. Poor communication led to the company’s fall. Conclusion Good management practices are backbone of success within any organization. The Arthur Andersen Company had started out with these practices but was swayed away from them in latter years. If it had stuck to its founding principles, it would still be in operation today. Reference Harold, K. (2003): Project Management: A systems approach to planning, scheduling and Controlling; Blackwell publishing Erica, W. (2006): Strategic public relations management planning; University of York Publishers. Norbert, E. (1967): Management planning: a systems approach; Melbourne publishers